Publications:

2019         “Sound spectrum analysis: Ryūteki and hichiriki techniques as performers of structure and mode in Etenraku,” Asian Music 50.1 (2019): 78-117.

2018         with Gerard Yun, “Capturing Japanese aesthetic in Eric Mandat’s Folk Songs, fourth movement,” The Clarinet [Online] (May 1, 2018), http://clarinet.org/2018/05/01/capturing-japanese-aesthetic-in-eric-mandats-folk-songs-fourth-movement/.

2017         “Shakuhachi honkyoku: Motivic analysis of Sokaku Reibo,” Analytical Approaches to World Music 5.2 (2017): 1-48, http://www.aawmjournal.com/articles/2017a/Simon_AAWM_Vol_5_2.html.

CD recording:

2022         Producer, Solitary Clarinet by Karem J. Simon.

PhD dissertation:

2014         “Western Extended Techniques in Traditional Japanese Wind Performance: Gagaku Kangen and Shakuhachi Honkyoku.” PhD diss., York University.

Ongoing:

Shakuhachi studies with Gerard Yun