Publications:

2019         “Sound spectrum analysis: Ryūteki and hichiriki techniques as performers of structure and mode in Etenraku,” Asian Music 50.1 (2019): 78-117.

2018         with Gerard Yun, “Capturing Japanese aesthetic in Eric Mandat’s Folk Songs, fourth movement,” The Clarinet [Online] (May 1, 2018), http://clarinet.org/2018/05/01/capturing-japanese-aesthetic-in-eric-mandats-folk-songs-fourth-movement/.

2017         “Shakuhachi honkyoku: Motivic analysis of Sokaku Reibo,” Analytical Approaches to World Music 5.2 (2017): 1-48, http://www.aawmjournal.com/articles/2017a/Simon_AAWM_Vol_5_2.html.

Forthcoming:

Producer on a forthcoming classical clarinet CD recording project

PhD dissertation:

2014         “Western Extended Techniques in Traditional Japanese Wind Performance: Gagaku Kangen and Shakuhachi Honkyoku.” PhD diss., York University.

Ongoing:

Shakuhachi studies with Gerard Yun

项目

论文发表

2019         “声音频谱分析: 作为越殿乐中结构和模式的演奏者龙笛和筚篥的技术,” 亚洲音乐50.1 (2019): 78-117.

2018         合作杰勒德·云, “从Eric Mandat 的民谣中捕捉日本美学, 第四乐章,” 单簧管[在线] (2018年5月 1日), http://clarinet.org/2018/05/01/capturing-japanese-aesthetic-in-eric-mandats-folk-songs-fourth-movement/ 。

2017         “尺八: 巣鶴鈴慕的动机分析,” 世界音乐的分析方法5.2 (2017): 1-48, http://www.aawmjournal.com/articles/2017a/Simon_AAWM_Vol_5_2.html.

博士毕业论文:

2014       “传统日本管乐表演中的西方扩展技术: 雅乐和尺八.” 博士学位论文, 约克大学

进行中:

与杰勒德·云合作进行尺八的研究